A Night of Storytelling

Literary Readings | July 22 | 7 pm |

A Night of Storytelling is back for its fifth year and once again hosted by the much-beloved Danny Ramadan, this time around as a new online experience. Spend a night in with the talented LGBTQ2+ voices of the CanLit scene. Danny brings prominent writers from the Queer and trans community into your homes as they explore their identities through the medium of the written word. A Night of Storytelling features readings from Billy Ray Belcourt, Amber Dawn, jaye simpson, Jillian Christmas, and Erin-Brooke Kirsh.

Curator Danny Ramadan is an award-winning Syrian-Canadian author, public speaker and LGBTQ-refugees activist. His novel, The Clothesline Swing, won multiple awards. His children’s book, Salma the Syrian Chef, is out now. 

Jillian Christmas lives on the unceded territories of the Squamish, Tsleil-Waututh and Musqueam people, where she served for six years as Artistic Director of Versəs Festival of Words. An educator, organizer, and advocate in the arts community, utilizing an anti-oppressive lens, Jillian has performed and facilitated workshops across the continent. 

jaye simpson is an Oji-Cree Saulteaux indigiqueer writer with roots in Sapotaweyak Cree Nation. they often write about being queer in the Child Welfare system, as well as being queer and Indigenous. their work has been featured in Poetry Is Dead, This Magazine, PRISM international, SAD Mag, GUTS Magazine and Room. simpson resides on the unceded and ancestral territories of the xwməθkwəy̓əm (Musqueam), səlilwəta’Ɂɬ (Tsleil-Waututh), and Sḵwx̱wú7mesh (Squamish) First Nations peoples, currently and colonially known as Vancouver, BC.

Amber Dawn is a writer and creative facilitator living on unceded Coast Salish Territories (Vancouver, Canada). She is the author of five books and the editor of three anthologies.

Erin Kirsh is a writer and performer. A Pushcart Prize nominee, her work has appeared in dozens of literary journals internationally. Her greatest accomplishment to date is that one time she painted her nails without getting the polish all over the place.

Billy-Ray Belcourt is from the Driftpile Cree Nation, and lives in Vancouver. He is an Assistant Professor in the Creative Writing Program at UBC. His books are THIS WOUND IS A WORLD, NDN COPING MECHANISMS, and A HISTORY OF MY BRIEF BODY.

This event is ASL Interpreted.

Media Nights with VIVO

| July 18 + July 19 | 7 PM

Rupture Probe and Return to Sodom North look at the continuity of themes across the two decades that separate the works. They also illustrate the resilience of shorter experimental forms that emerging queer festivals preferred and rapidly evolving technologies coveted. However, while Vancouver artists in the ‘90s were informed by previous decades, their work suggests an impatience for the new millenium. Today, as artists approach this fifth decade of queer Canadian media art, Rupture Probe also samples works that reflect on the past, applying critical remediation to its radical legacies (Slumberparty 2018) and incisive dismantling of historical oppressions (Framing Agnes, Less Lethal Fetishes).

RUPTURE PROBE

Queer Inquiries & Remediations | July 18 | 7 PM

Recent queer shorts rupture normative notions of gender, pleasure, and activism. Employing remediation and experimental narrative and forms, artists probe transgender and non-binary experience, new erotic signifiers, and inventive strategies for dissent and celebration.

Framing Agnes (Chase Joynt, 2018, 19min)   
Lesbian Hand Gestures (Carol Short, 2011, 3min)   
Less Lethal Fetishes (Thirza Cuthand, 2019, 10min)
Paisa (Dorian Wood, Graham Kolbeins, 2019, 9min)
Slumberparty 2018 (Cait McKinny & Hazel Meyer, 2018, 24min)               

RETURN TO SODOM NORTH

Vancouver Queer Video 1993-2000 | July 19 | 7 PM

At Video In and elsewhere in the ‘90s, a new generation of queer artists were expanding the west coast response to ongoing racialized and gendered suppression of queer bodies, expression,and desire. Experimental narrative, appropriation, and remediation marked video storytelling. Characteristics of abbreviation, play, and provocation portent the queer potential of new platforms and emergent counterpublics that would define the new milennium. The sum of this work speaks to the desire for a more equitable future; one executed with rigour, joy, and delicious wickedness. 

*The title is derived from R.E.A.L. Women’s attempt to ban the 1990 Gay Games, warning B.C. would become Sodom North. The moniker was quickly appropriated for the queer publication, Sodomite Invasion, and Video In’s screening, Sodom North Bash Back.  

Boulevard of Broken Sync (Winston Xin, 1996, 3min)
Helpless Maiden Makes an I Statement (Thirza Cuthand, 1999, 6min)
Defiance (Maureen Bradley, 1993, 6:50min)
Surfer Dick (Wayne Yung, 1997, 3:20min)
Unmapping Desire (Sheila James, 1999, 6:42min)
Transmission (Ivan Coyote, 1998, 7min)  
Water Into Fire (Zachery Longboy, 1994, 10min)
View (Shani Mootoo, 2000, 6min)
Search Engine (Wayne Yung, 1999, 4min)

VIVO Media Arts Centre, incorporated as Satellite Video Exchange Society, is a steward of critical history and an agent for emergent experimental media arts practices. Our programs foster formal and critical approaches to media arts, and reflect the diversity of contemporary technologies and communities that coalesce around new forms of knowledge and creativity. VIVO builds an engaged audience through workshops, production support, distribution, artist residencies, workshops, performances, exhibitions and curatorial and archival research. Through these activities and the extensive resources of Western Canada’s largest repository of media art history, VIVO plays a unique role in facilitating and fostering artistic practices in the region including of queer artists, activists, collectives and organizations.

VIVO’s Crista Dahl Media Library & Archive and Video Out Distribution steward and disseminate a queer media, publications, and histories from the 1960s – present. Many are freely available online at vivomediaarts.com/archive. All materials are accessible in-house. Holdings can be searched through Every Queer Thing (vivomediaarts.com/archive/every-queer-thing).

Curator Tour

Curated by Jonny Sopotiuk | July 16 – 26 |

Curator Statement

Queer life is a reality of ongoing survival. From government and societal oppression, to family rejection and social isolation our memories and experiences have been defined and shaped by the structures that are designed to contain us.

Our identities and experiences are mediated. Living is a constant battle against and with these systems of containment.

Wicked brings together a multigenerational group of artists living and producing work across Canada and the United States as they explore the body, community, and architecture of homonormativity. 

In 2020 we’re learning to live through a new form of containment during a global health pandemic. Our long fight for recognition and the foundations of community infrastructures that we created to sustain us are being fundamentally questioned.

We’re now asked to rethink how we build individual and collective responses to queer and trans trauma and erasure? 

With new connections and intimacy now mediated by requirements to shelter in place, artists critically examine our communities’ oppression and expose implications of complicity in the homonormative systems created to contain us.

— Jonny Sopotiuk.


Jonny Sopotiuk is a visual artist, curator and community organizer living and working on the Unceded Indigenous territories belonging to the Musqueam, Skxwú7mesh-ulh Úxwumixw (Squamish) and Tsleil-Watututh peoples in Vancouver, British Columbia, Canada. His interdisciplinary practice explores compulsion and control through the lenses of production, labour, and work. Jonny is the President of the Arts and Cultural Workers Union (ACWU), IATSE Local B778, Vice-President of CARFAC BC and a founding member of the Vancouver Artists Labour Union Cooperative or VALU CO-OP.

Artist Panel Discussion chaired by Jonny Sopotiuk with participating artists Tom Hsu, Avram Finkelstein, Elektra KB, and Tajliya Jamal.

Following our official welcome, guest visual art curator Jonny Sopotiuk gives a virtual tour of the Curated Visual Art Exhibition joined by guest artists.

Tom Hsu is a studio-based visual artist whose works seeks to investigate the curious condition of spaces, and their correlation to the bodies that attend them, as communicated through the photography of the everyday mundane. He comes from a base in analog photography, and this stability allows him to extend into made, found, and choreographic sculpture, all of which deal with the everyday mundane. He currently lives and works in Vancouver and holds a BFA in Photography from Emily Carr University of Art + Design. He undertook a residency at Burrard Arts Foundation from April to June 2018. He has exhibited at Centre A, Unit/Pitt, Index Gallery, and Yactac Gallery in Vancouver.

www.tomhsu.com

Avram Finkelstein is a founding member of the Silence=Death and Gran Fury collectives. His work is in the permanent collections of MoMA, The Whitney, The New Museum and The Brooklyn Museum. He is featured in the artist oral history at the Smithsonian’s Archives of American Art, and his book, “After Silence: A History of AIDS Through its Images” was nominated for a Lambda Literary Award in Nonfiction, and an ICP Infinity Award in Critical Writing. 

http://avramfinkelstein.com/

Elektra KB is a Latinx immigrant artist, living and working in Brooklyn, NY. They graduated with an MFA from Hunter College in 2016 and received a DAAD award, pursued at UDK—Berlin with artist Hito Steyerl. Their work engages corporeal sickness and disability, with utopian possibilities and alternative universes. KB investigates: gender, migration, transculturality, and abuse of power. Their work entangles mutual aid, political action, and communication, often with a documentarian-sci-fi-like hybrid approach, exploring utopia and dystopia. Across: photography, textiles, video, installation and performance. KB’s work has been written about in: Art Forum, Artnews and The New York Times. Recent shows include: ‘Nobody Promised You Tomorrow’ at the Brooklyn Museum.

elektrakb.com

Tajliya Jamal is a queer, mixed-race artist of Cantonese and Indian heritage. She uses illustration, text, and storytelling, often to highlight relationships between race, sexuality, and (in)visibility. Focus on pattern and detail aim to involve viewers more intimately.

https://tajliyaj.tumblr.com/

Born and raised on Coast Salish Territory, Shanique (also known as Softieshan) is a DJ and event producer widely known for her femme-forward, hip hop heavy sets. She founded ‘LEVEL UP’, the city’s only QTBIPOC centred hip hop dance party, and works adamantly to carve out community space for folks who exist within marginalized communities. Softieshan is a resident DJ at the Fox, the American, The Boxcar and has recently embarked on a new initiative “Cue Club” which offers low barrier DJ and professional development workshops for women, LGBTQ2+, disabled and BIPOC folks in a fun and supportive environment. 


This Event is ASL Interpreted.

Wicked: Curated Visual Arts Exhibition

Curated by Jonny Sopotiuk | July 16 – 26 |

Queer life is a reality of ongoing survival. From government and societal oppression, to family rejection and social isolation our memories and experiences have been defined and shaped by the structures that are designed to contain us.

Our identities and experiences are mediated. Living is a constant battle against and with these systems of containment.

Wicked brings together a multigenerational group of artists living and producing work across Canada and the United States as they explore the body, community, and architecture of homonormativity. 

In 2020 we’re learning to live through a new form of containment during a global health pandemic. Our long fight for recognition and the foundations of community infrastructures that we created to sustain us are being fundamentally questioned.

We’re now asked to rethink how we build individual and collective responses to queer and trans trauma and erasure? 

With new connections and intimacy now mediated by requirements to shelter in place, artists critically examine our communities’ oppression and expose implications of complicity in the homonormative systems created to contain us.

Visual Artists

Avram Finkelstein
Christopher Lacroix
Dayna Danger
Elektra KB
Flash Collective
Joseph Liatela
Kama La Mackerel
KUNST
Love Intersections
Micheal Morris
Shauna Dempsey + Lori Millan
Tom Hsu
Xandra Ibarra

Avram Finkelstein, Silver War Storm, 2019
Christopher Lacroix, Left arm back, strong core, crank forward, 2019
Dayna Danger, Goldilocks, 2011
Elektra KB, C.A.T. Stateless Genderless Passport, 2019
Flash Collective, 2020
Joseph Liatela, Untitled Molecular Prosthesis 4
Kama Mackarel, Breaking the Promise of Tropical Emptiness: Trans Subjectivity in the Postcard, 2019
Kunst, Object For Exchange, 2019
Love Intersections, Hulijing Still 4, Lair, 2020
Michael Morris, Berlin boys from the Boyopolus series (cropped), 1984,
Shawna Dempsey and Lorri Millan, homogeneity, 1998
Tom Hsu, Head in Rock (cropped), 2015
Xandra Ibarra, The Hook Up/Displacement/Barhopping/Drama Tour, 2017
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Wicked

Wicked |

| Queer Arts Festival 2020: WICKED | Jul 16 – 26, 2o2o |

“Wickedness is a myth invented by good people to account for the curious attractiveness of others.”

Oscar Wilde

This past decade has seen the mainstreaming of gay; sexual difference wins approval so long as it is palatable, marketable, and doesn’t stray too far from bourgeois notions of taste and morality. Our 2020 theme Wicked reimagines identity politics, exposing the implications of homonormativity as erasure. The commodification of queer experience is inextricably linked to the pathologization of the queer body, where medical and sociological interventions adjudicate which anatomies and passions are accepted as authentic. What do we lose—who do we lose—if we accept induction into the dominant order, and reframe ourselves as a “moral minority”?

There’s no place like home for the Wicked Witch of the West, green by devilment and through her magical aberrance. QAF 2020 forsakes the yellow brick road that leads only to a man behind a curtain gentrifying our desires. Instead, for 11 days of visual art, performance, theatre, music, dance and literary events, we invite you to revel in the quintessentially queer traditions of scandal and excess. 

Highlights include Jonny Sopotiuk’s visual arts curation; choreographer Noam Gagnon’s raucously vulnerable Swan Song, This Crazy Show; Indigenous Burlesque with Virago Nation’s Too Spirited; and the latest offering from non-binary drag collective The Darlings.

The Garden: Rachel Kiyo Iwaasa in Recital

Thu, 13 February 2020 | 8:00 PM – 10:00 PM PST

Solo piano recital by Rachel Kiyo Iwaasa of works by queer & trans composers, including Rodney Sharman, Ann Southam & Mary Jane Paquette 

Celebrated contemporary piano virtuoso Rachel Kiyo Iwaasa performs a solo recital of queer and trans composers. The programme centres around the work of composer Rodney Sharman, as Rachel prepares to record his complete solo piano works. It will feature world premieres by Sharman and Mary Jane Paquette, paired with works by Ann Southam.

The concert takes its name from Rodney’s notorious music theatre piece The Garden, in which a man visits a gay sex club for the first time and finds his life transformed by a single, perfect kiss. Theatre direction by David Bloom.

Reception to follow.

Pyatt Hall is on the second floor of the VSO School of Music, accessible by elevator, with wheelchair accessible seating and bathrooms.

About the artist

Hailed in the press as a “keyboard virtuoso and avant-garde muse” (Georgia Straight) with the “emotional intensity” to take a piece “from notes on a page to a stunning work of art” (Victoria Times Colonist), Rachel Kiyo Iwaasa is recognized among Canada’s foremost contemporary music pianists. Check this website >

2019: rEvolution

Visual art Curator: Elwood Jimmy

June 17 – 28, 2019

We often think of revolution in relation to ways of knowing, but we rarely think about revolution in relation to our colonial habits of being—how our habits are dependent on, maintained and enabled by colonization. A revolution of being is not about what we say, how we look, how we perform, or how we trade in the different economies of colonial modernity. A revolution of being invites us to change our desires, our hopes, how we hope, how we sense, how we love, and above all, regenerate and recalibrate our relationships with each other, with the land, with time, with form and with space. In this recalibration of being, time and revolution are not linear.


2019 Events


Video

https://vimeo.com/434199600/c25481569c

Image Gallery


Glitter Technics – Show

Daxgyet Hanak – Strong Woman

Yellow Peril; The Celestial Elements

Curated by Love Intersections


Feb 1 – Apr 18, 2020 | Opening Reception: Feb 1, 4-6 pm

Yellow Peril; The Celestial Elements is a visual art exhibit inspired by the Chinese Five Elemental forces, seized by the urgent tensions between Queer Chinese diasporic identities. A collection of multichannel installations, visual and sculptural activations provoke a cosmic encounter of our living past and present as we ‘race’ towards a healing future. These elemental activations attempt to collapse the linear temporality to dislodge an emotional, spiritual, cosmological, and metaphysical enunciation of our Queer ‘Chineseness’. Rather than focus on the trauma that queer people of colour face, this project is fundamentally an invitation to an exuberant celebration of queerness that is unabashedly Chinese.

We invite you to celebrate with us. Featuring artists Jen Sungshine, Kendell Yan, Kai Cheng Thom, Jay Cabalu, and David Ng.

Yellow Peril; The Celestial Elements Workshop

Artist Circles

SUM gallery + Cultivate present “Art with Auntie” 2SLGBTQ+ Drop-In Art Circles

Alternating Wednesdays 4 – 5 pm

Since we can’t gather in person, gather around Shane’s virtual table for sharing art, stories, knowledge and support. Just like at Auntie’s house, the best adventures come from being together. Bring your latest project, a doodle, beadwork, or anything else to work on while we chat. Maybe Auntie will share a story or teach you to make some tea. You’re invited to talk about your art making process, lead a short skills share, and just enjoy being together. 

Community Agreements

Confidence: What’s Said Here Stays Here.

Sharing: What’s Learned Here Leaves Here.

Respect: Everyone gets an opportunity to speak without judgement and without disruption.

Learning: Listen More Than You Speak, and speak with care.

Accountability

Those individuals struggling to uphold the community agreements will be asked to leave the session and will be invited to a private discussion.

Registration process

Send a registration request to shane@queerartsfestival.com and introduce yourself. Zoom link will be emailed shortly before the session. Please do not share the link.

BC Gay and Lesbian Archives photo identification project

The BC Gay and Lesbian Archives (BCGLA) is a diverse collection of LGBTQ2+ history, started by Ron Dutton in 1970s and recently donated to the City of Vancouver Archives. Of the over 5,400 images that have been digitized, about 1,000 photographs depict people and events that are currently unidentified.

In partnership with the SUM Gallery, the City of Vancouver Archives is asking for help to identify these people and events in the BCGLA photo collection. Spanning from the 1940s to the 2000s, capturing moments from drag performances to City Hall protests, these photos tell the story of a long and powerful history of LGBTQ2+ resistance, solidarity, and strength.

Join us to look through these photos and by sharing your stories, enhance access to this collection. This photo identification event is free and open to the public.

running running trees go by…

Curated by Justin Ducharme in collaboration with the artist, this year’s Vancouver Queer Film Festival offers a pop-up exhibit featuring new and retrospective works from artist Zachery Longboy.

Longboy is from Churchill, Manitoba and is of Sayisi Dene lineage. This new and retrospective collection continues the artists’ exploration within a fractured cultural experience through deeply felt layered videos, paintings and archival film.

The exhibit has been held over until September 14.

Glitter Technics

Glitter Technics is a 13 week workshop held every Wednesday from September 11th to December 4th, from 4pm to 8pm, with the exception of a special 5-hour workshop with Reel Youth on October 30th from 4pm to 9pm. All classes take place at The SUM Gallery in Chinatown, located at #425 268 Keefer Street. The workshop is free, with snacks and transit passes provided.

Produced in partnership with Pride in Art Society, Community Arts Council of Vancouver, and TELUS.

Glitter Technics is an experiential creative empowerment workshop series designed to shine the light on you and a story you want to develop and share. Participants will have the opportunity to discover and enhance new and existing artistic practices, tools and techniques as well as choose the creative medium(s) that will help them share their story with the greater public. Come join in the glitter of some of the cities most inspiring performing artists and facilitators who will guide and mentor participants to explore their artistic curiosity and self-expression, take creative risks and increase their self-esteem, confidence and leadership.

Led by Mutya Macatumpag (moo-cha) (maca-toom-pag), participants will work as a collective, creating community, culture, a healthy environment to gain new skills, encourage existing ones to a new level and produce meaningful work. Our aim is to foster solo and group collaboration and production, through exploration, support, fun and mentorship. We will be building up our technical skills in digital story telling, music, movement, theatre, writing, visual and performance art.



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